This is an animation I started over a year ago, about Chunky the Death Cat from Dreamworks' The Croods. Chris Sanders' story sketches and concept work for the film inspired me so much to draw him and the other characters, so eventually I made this little animation.
Here is the rough animation:
And here is the finished version, with colour and background. Colouring took up a lot of time, as in each frame Chunky had to be coloured head to tail, and I made the silly decision to include the colour gradients on his paws, tail and face. Oh yeah, and all those stripes too. So nearly a year later I finally finished all the ink and colour work, so voilĂ :
And here are some of Chunky's expressions throughout all 14 seconds of the clip:
Tuesday, 26 August 2014
Saturday, 23 August 2014
Review : The Art of Mulan
I was lucky enough to find this gem at my local library a few weeks ago; I've been trying to read as many 'Art of' books as possible this summer, but so far this one has really stood out for me. It's also very difficult to find older 'Art of' books, such as those from 90s films, since most of them are out of print now, so I snatched this one up the minute I saw it. Here are my thoughts on The Art of Mulan:
What is so unique about Mulan in particular is that it is based on a Chinese legend, rather than a fairytale (for example, the Brothers Grimm or Hans Christian Anderson). In essence, it is based on a story that many Americans are not familiar with, and the creators of Mulan had to find the perfect balance between respecting the original tale and adapting it for a more Western audience.
The Art of Mulan begins with a retelling of the original Mulan story, and follows with the creative team's trip to China. It describes each location, and how they would eventually contribute to the film, from inspiring visuals to aspects of Chinese culture as told by its own people. The research into the film takes up nearly a third of the entire book, but it really provides great insight and understanding into where the filmmakers were coming from when they made creative decisions.
One of my favourite parts of the book were the sections on story and character design. I absolutely loved reading about the different versions of Mulan's story, many of them as told by Chris Sanders who was head of story (and, as you probably know, the director of films such as Lilo and Stitch and How to Train Your Dragon). The book describes Mulan's evolution as a character, and how they adapted the many different versions of her story into one that modern audiences could relate to. Many of the final character designs were heavily influenced by the style of Chen-Yi Chang. Included in the book are countless images not only of rough drawings of the characters in their final forms, but of Chang's vision for them as well, making it clear to see how much of an impact he had on their designs. I also really appreciated how the book delves into the slightly lesser known parts of making an animated film, such as hand-drawn special effects, layout design and visual development.
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| Art by Chen-Yi Chang for Mulan |
Hopefully I will do more such reviews in the future, to keep an eye out!
Sunday, 17 August 2014
Wednesday, 6 August 2014
Advice on Getting into Animation
Advice I think I'm gonna take… thank you Dan Krall!!
Read it!
Check it out if you've got a spare moment or two. There are some great insights that in all fairness, aren't at all hard to follow if you're passionate about your work and the animation industry.
Read it!
Check it out if you've got a spare moment or two. There are some great insights that in all fairness, aren't at all hard to follow if you're passionate about your work and the animation industry.
Saturday, 2 August 2014
Toothless Sketches
Toothless sketches, some old and some new! Suffice to say, it's hard to get this dragon outta my head.
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